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Видео Lynda.com | Методы работы инженера живого звука: В туре с Rush (2013) [HDRip] [EN]

Сообщение Nik » 15 авг 2016, 11:01

Lynda.com | Методы работы инженера живого звука: В туре с Rush (2013) [HDRip] [EN]

Автор (режиссер): Lynda.com
Оригинальное название: Live Sound Engineering Techniques: On Tour with Rush
Жанр: Работа со звуком
Язык: Английский
Продолжительность: 01:18:00
Качество видео: HDRip
Видеокодек: AVC/H.264
Битрейт видео: ~1 460 Kbps, 23.976 fps
Размер кадра: 960x540, 16:9
Аудиокодек: AAC
Битрейт аудио: ~160 Kbps, 2 channels, 48.0 KHz

Описание: Следуйте вместе с Brent Carpenter в туре с Rush, где он продемонстрирует, каково это быть инженером живого звука в крупном рок-шоу. Мы будем тенью Брента и звукового экипажа Rush, когда они готовятся к шоу в Денвере, штат Колорадо, в рамках их тура Clockwork Angels, где группа будет выступать перед 12000 фанов.
Follow along with Brent Carpenter on tour with Rush, as he demonstrates what it is like to be a live sound engineer for a major rock show. We shadow Brent and the Rush sound crew as they prepare for the Denver, Colorado, show on their Clockwork Angels tour, where the band is set to perform for 12,000 fans. After the gear is loaded into the venue, Brent explains how he and the crew set up the rigging, amp racks, and fly the speaker arrays to make sure well-balanced stereo sound reaches every seat in the arena. He also shows how he sets up his console to mix the onstage sound for Geddy Lee, Alex Lifeson, and Neil Peart and configures the in-ear monitor system and balance of audience mics for each member of the band. Then we get to sit backstage with Brent and watch what he does during line check, sound check, and the actual show. After the fans file out, see how all the equipment comes back down and is packed away so the cycle can start all over in the next city.

Topics include:

• Choosing the PA for the venue
• Setting up points, motors and cables, and trusses
• Getting the best use of both analog and digital signal paths
• How Rush gets that Geddy, Alex, and Neil live sound
• Setting up the digital monitor mix console
• Doing the line check and sound check
• Using audience microphones to connect the band to their fans
• Getting even coverage in a large arena
• Working the monitor console and the power of snapshots
• Loading out of the venue
0. Introduction 1m 7s
Welcome 1m 7s
1. Setting Up the Sound System 20m 52s
Starting the day with the big picture 1m 7s
Choosing the right PA for the venue 1m 24s
Unloading the trucks and load-in 1m 6s
Audio rigging: Points 50s
Audio rigging: Motors and cables 4m 30s
Audio rigging: Trusses 1m 1s
Amplifier racks 2m 10s
The best combination of analog and digital signal paths 38s
Audio rigging: Feeder and power 2m 16s
Flying the PA speaker arrays 3m 56s
Discussing the advantages of subwoofers and front-fill speakers 1m 4s
Where's the best place to sit at the venue? 50s
2. The Onstage Monitor Mix 25m 13s
Monitor world: Setting up at the monitor engineer's position 3m 19s
Preparing the wireless in-ear monitors for the band 1m 19s
Scanning frequencies and configuring the RF antenna for wireless in-ear monitors 5m 20s
Real-world example: Getting a basic monitor mix for different band members 7m 39s
Line check overview: Making sure every line sounds as expected 56s
Sound check from the monitor position 58s
Monitor mix snapshots for the live performance 4m 10s
Communicating with Geddy, Alex, and Neil during the show 1m 32s
3. The Clockwork Angels Stage Tour 18m 26s
Guitar world: Getting the Alex Lifeson guitar sound 3m 56s
Guitar world: Alex Lifeson's guitars 1m 36s
Triggering offstage samples with MIDI pedals 40s
Alex Lifeson's stage position 42s
Placing microphones on Neil Peart's drums and the rotating riser 5m 29s
Geddy Lee's stage position: Vocals, bass, and keyboards 57s
Bass world: Getting Geddy Lee's bass sound 41s
Using audience microphones to connect the band to their fans 2m 6s
Getting a great isolated sound from the string section 2m 19s
4. Front-of-House Sound 10m 42s
Turning on the PA for the first time 2m 14s
Mixing live sound for front of house 5m 20s
Achieving even sound coverage in a large arena and adjusting for pockets of frequency buildup 1m 50s
Sound pressure level (SPL), loudness, and ear fatigue 1m 18s
5. When the Band Hits the Stage 1m 3s
What does the monitor engineer do during the show? 1m 3s
6. Load-out 1m 22s
Loading out of the venue 36s
Conclusion 46s
General
Complete name : H:\Фильмы\Lynda.com - Live Sound Engineering. Techniques On Tour with Rush\142975_00_01_WL30_welcome.mp4
Format : MPEG-4
Format profile : Base Media / Version 2
Codec ID : mp42
File size : 13.1 MiB
Duration : 1mn 7s
Overall bit rate : 1 624 Kbps
Encoded date : UTC 2013-12-11 18:05:04
Tagged date : UTC 2013-12-11 18:05:04
Writing library : Apple QuickTime
Copyright : lynda.com

Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile :
Format settings, CABAC : Yes
Format settings, ReFrames : 3 frames
Codec ID : avc1
Codec ID/Info : Advanced Video Coding
Duration : 1mn 7s
Bit rate mode : Variable
Bit rate : 1 460 Kbps
Width : 960 pixels
Height : 540 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 fps
Standard : NTSC
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.117
Stream size : 11.8 MiB (90%)
Language : English
Encoded date : UTC 2013-12-11 18:05:04
Tagged date : UTC 2013-12-11 18:05:04

Audio
ID : 2
Format : AAC
Format/Info : Advanced Audio Codec
Format version : Version 4
Format profile : LC
Format settings, SBR : No
Codec ID : 40
Duration : 1mn 7s
Bit rate mode : Variable
Bit rate : 160 Kbps
Maximum bit rate : 168 Kbps
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Stream size : 1.29 MiB (10%)
Language : English
Encoded date : UTC 2013-12-11 18:05:04
Tagged date : UTC 2013-12-11 18:05:04
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